วันพฤหัสบดีที่ 24 ธันวาคม พ.ศ. 2552

Spaceballs

Spaceballs Review



This is the one that should've been director Mel Brooks' comeback film. It comes very close to recapturing the magic of the old comedies, but again, there's too many stale jokes & juvenile levels of humor marring the proceedngs. Still, "Spaceballs"--which parodies several landmark sci-fi films, particularly "Star Wars"--has some very funny moments in it, courtesy of the cast. Brooks plays roles on the good & evil side of the "Schwartz" coin--that of the dapper but despicable President Skroob and the dwarfed movie-merchandise peddler Yogurt, sort of a Jewish Yoda. Next generation comic talents John Candy & Rick Moranis have a field day as the half man-half dog alien Barfolomew (Candy), and the malevolent miniature villain Dark Helmet (Moranis). Luke Skywalker & Han Solo are merged into one hapless hero, Lonestar (a smirkingly amusing Bill Pullman), while newcomer Daphne Zuniga plays the feisty spoiled Princess Vespa, much as Carrie Fisher played Leia. Even Brooks film veterans Dom DeLuise & Dick Van Patten lend a hand as the disgusting mobster Pizza the Hut (Dom; get the joke name?), and the slightly kooky King of Druidia (Van Patten).
The film's probably at its best when doing satirical in-jokes; you can't help but snigger at the absurd invention of "instant cassettes", the "Spaceballs" merchandising running gag, or when Lonestar complains: "Just what we need..a Druish Princess!" With Candy replying: "Funny, she doesn't look Druish!"
"Spaceballs" is what it is: An amusing & occasionally fun sci-fi spoof. It's just a shame it became another example of Brooks' then wobbly track record at the box office.




Spaceballs Overview


John Candy, Rick Moranis, Bill Pullman and Dom DeLuise rocket into orbit in this side-splitting Mel Brooks excursion where good and evil forces grapple in an out-of-this-world galaxy.


Spaceballs Specifications


Mel Brooks's 1987 parody of the Star Wars trilogy is a jumble of jokes rather than a comic feature, and, predictably, some of those jokes work better than others. The cast, including Brooks in two roles, more or less mimics the principal characters from George Lucas's famous story line, and the director certainly gets a boost from new allies (SCTV graduates Rick Moranis and John Candy) as well as old ones (Dick Van Patten, Dom DeLuise). Watch this and wait for the sporadic inspiration--but don't be surprised if you find yourself yearning for those years when Brooks was a more complete filmmaker (Young Frankenstein). --Tom Keogh

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